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		<title>Comment on Welcome to Your Stories by BAXarts</title>
		<link>http://bax.org/welcome-to-your-stories/comment-page-1/#comment-4838</link>
		<dc:creator>BAXarts</dc:creator>
		<pubDate>Fri, 03 Jun 2011 17:05:58 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?p=6004#comment-4838</guid>
		<description>Here is a video of Maya&#039;s solo. Thanks Maya!
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;iframe width=&quot;480&quot; height=&quot;303&quot; src=&quot;http://www.youtube.com/embed/cuIzHrDF4RI&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>Here is a video of Maya&#8217;s solo. Thanks Maya!</p>
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		<title>Comment on Welcome to Your Stories by Maya Gonzalez</title>
		<link>http://bax.org/welcome-to-your-stories/comment-page-1/#comment-4697</link>
		<dc:creator>Maya Gonzalez</dc:creator>
		<pubDate>Wed, 01 Jun 2011 04:59:34 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?p=6004#comment-4697</guid>
		<description>I am currently a Senior in HS at LaGuardia HS, and we were assigned a creative project in my AP Lit class to create a portrait of ourselves as young artists, in any creative form we desire. So i decided to write a poem about my growth and life as a dancer thus far, and I have so much to thank BAX for in terms of the role dance has played in my life. So here I will post the poem I wrote, and dedicate it to this beautiful place that I will miss with all of my heart: 

Buried in a sea of multicolored tutus that itched and scratched and squeezed and poked but oh it was so worth it she thought as she pulled tugged at the rough stiff fabric that hadn’t been touched in years. The thrill she got parading her proud 4 year-old self around mommy’s dance studio showing off her razzle-dazzle to the grown-ups who could touch the clouds and shake hands with the constellations was like nothing she had ever experienced before. In photos I see her gripping a ballet bar too tight and arching her little back much too far and pointing those toes like there’s no tomorrow. This was the birth of a whisper that would soon become a sigh that would soon become an inaudible word_____an audible word_____a coversation_____a theory_____an inspiration_____and that is still becoming a voice. A lifestyle. K 1 2 3 4 5 twirling jumping traveling lead &amp; following rolling skipping in blue pink green striped long-sleeved shirts that had sparkly lines too that would leave itty bitty sparkles on your arms and tummy for days on end. She didn’t know then and there that in this utopia of movement and no movement the sparkly stuff never actually goes away. It sinks into your skin and your soul and accumulates over time and ever once in a while it’ll explode out of you in a kind of perfectly poignant elaboration of silent and deafening passion. 

4 nine years old. Monologues becoming dialogues. She begins to create her own moving pictures and to speak the most foreign language of all: her own. Through this discovery of her own personal language, she begins to open doors that she didn’t know existed until after she had opened them. She finds herself immersed in a world that she does not know. Yet. This World is Hers. Is Mine. World becomes meaningful, significant.

5
Heavy
Tangible 
Real

6
World tugs on her fingers and nudges her elbows and kicks her feet out from under her while she watches with wide, seeing eyes. World mocks her, isolates her, challenges her, questions her every move. 7 World taunts her. 8 World grabs her.   9 World blinds her. World stops her and starts her. World talks to her World ignores her World embraces her World drops her World asks her World helps her. Her World.

10 Breathe. 
One summer she breathed. She saw breath in motion and fell irreversibly in love with it. Breath caught her throat on a hook and tugged only it wasn’t painful. She woke up, sat up, inhaled, exhaled, and repeated. This was her religion. But then it became more than a religion it became more than a language it became a style and it became her style. This new mentality
This new physicality
This new ideality
This new actuality 
This new reality spoke through her. Spoke to her. Spoke for her within her without her. 
Thank you, was all she could say to them. Because they taught her how to breathe.
Thank you
Thank you 
Thank you

11
New phenomenons. Epiphanies. Continuously putting two and 2 together over and over again and again. Angles? 3-Dimensionality? Juxtaposition. Yes and. Atmosphere. Layers. Attempt, Fail, Practice. Attempt, Fail, Practice.
__________________
The people that lived in her little world alongside her changed her. They moved her mind and moved her body and moved her life. She believes in them and jostles them around and tests them and then believes in them even more. Together they reached a tipping point. They established limits and then pushed beyond them. They ran into walls and let themselves fall because some things will always defeat you. They defined themselves and defined each other and re-defined everything else. They painted their names on the floor and on the walls and on the ceiling and in the sky and filled every empty, colorless spot with the color of passion. This is their language.

12
It’s not good-bye because it is goodbye. She learned how to fly but then so did time. She won’t believe it because it’s true, but it’s true because she believed in it every moment that it existed. 
Waltzing zebras and faulty picture frames and sparkly face-painted stars and tacky over-sized dresses and X-Factor and cliché tears, you won’t be forgotten. 
______________
They threw crackers and broke crackers and crumbled crackers and stuffed crackers in their mouths and down their shirts and choked on crackers and sang ACDC until their voices were shot and their throats and lips were dry and chapped from all the crackers. Then they wiped their mouths and fixed their hair and cleaned each other up and cleared their throats and exchanged awkward glances and coughed in the silence and pulled and tugged at their clothes and stood there____in a straight, uniform line, sweating through their nude leotards and shrinking into their over-sized white button-down shirts. They stood there in their boxers, stock still and out of breath, and stared blindly forward at a darkened audience until the lights went out. And they all smiled_____and bowed_____and exited the stage.</description>
		<content:encoded><![CDATA[<p>I am currently a Senior in HS at LaGuardia HS, and we were assigned a creative project in my AP Lit class to create a portrait of ourselves as young artists, in any creative form we desire. So i decided to write a poem about my growth and life as a dancer thus far, and I have so much to thank BAX for in terms of the role dance has played in my life. So here I will post the poem I wrote, and dedicate it to this beautiful place that I will miss with all of my heart: </p>
<p>Buried in a sea of multicolored tutus that itched and scratched and squeezed and poked but oh it was so worth it she thought as she pulled tugged at the rough stiff fabric that hadn’t been touched in years. The thrill she got parading her proud 4 year-old self around mommy’s dance studio showing off her razzle-dazzle to the grown-ups who could touch the clouds and shake hands with the constellations was like nothing she had ever experienced before. In photos I see her gripping a ballet bar too tight and arching her little back much too far and pointing those toes like there’s no tomorrow. This was the birth of a whisper that would soon become a sigh that would soon become an inaudible word_____an audible word_____a coversation_____a theory_____an inspiration_____and that is still becoming a voice. A lifestyle. K 1 2 3 4 5 twirling jumping traveling lead &amp; following rolling skipping in blue pink green striped long-sleeved shirts that had sparkly lines too that would leave itty bitty sparkles on your arms and tummy for days on end. She didn’t know then and there that in this utopia of movement and no movement the sparkly stuff never actually goes away. It sinks into your skin and your soul and accumulates over time and ever once in a while it’ll explode out of you in a kind of perfectly poignant elaboration of silent and deafening passion. </p>
<p>4 nine years old. Monologues becoming dialogues. She begins to create her own moving pictures and to speak the most foreign language of all: her own. Through this discovery of her own personal language, she begins to open doors that she didn’t know existed until after she had opened them. She finds herself immersed in a world that she does not know. Yet. This World is Hers. Is Mine. World becomes meaningful, significant.</p>
<p>5<br />
Heavy<br />
Tangible<br />
Real</p>
<p>6<br />
World tugs on her fingers and nudges her elbows and kicks her feet out from under her while she watches with wide, seeing eyes. World mocks her, isolates her, challenges her, questions her every move. 7 World taunts her. 8 World grabs her.   9 World blinds her. World stops her and starts her. World talks to her World ignores her World embraces her World drops her World asks her World helps her. Her World.</p>
<p>10 Breathe.<br />
One summer she breathed. She saw breath in motion and fell irreversibly in love with it. Breath caught her throat on a hook and tugged only it wasn’t painful. She woke up, sat up, inhaled, exhaled, and repeated. This was her religion. But then it became more than a religion it became more than a language it became a style and it became her style. This new mentality<br />
This new physicality<br />
This new ideality<br />
This new actuality<br />
This new reality spoke through her. Spoke to her. Spoke for her within her without her.<br />
Thank you, was all she could say to them. Because they taught her how to breathe.<br />
Thank you<br />
Thank you<br />
Thank you</p>
<p>11<br />
New phenomenons. Epiphanies. Continuously putting two and 2 together over and over again and again. Angles? 3-Dimensionality? Juxtaposition. Yes and. Atmosphere. Layers. Attempt, Fail, Practice. Attempt, Fail, Practice.<br />
__________________<br />
The people that lived in her little world alongside her changed her. They moved her mind and moved her body and moved her life. She believes in them and jostles them around and tests them and then believes in them even more. Together they reached a tipping point. They established limits and then pushed beyond them. They ran into walls and let themselves fall because some things will always defeat you. They defined themselves and defined each other and re-defined everything else. They painted their names on the floor and on the walls and on the ceiling and in the sky and filled every empty, colorless spot with the color of passion. This is their language.</p>
<p>12<br />
It’s not good-bye because it is goodbye. She learned how to fly but then so did time. She won’t believe it because it’s true, but it’s true because she believed in it every moment that it existed.<br />
Waltzing zebras and faulty picture frames and sparkly face-painted stars and tacky over-sized dresses and X-Factor and cliché tears, you won’t be forgotten.<br />
______________<br />
They threw crackers and broke crackers and crumbled crackers and stuffed crackers in their mouths and down their shirts and choked on crackers and sang ACDC until their voices were shot and their throats and lips were dry and chapped from all the crackers. Then they wiped their mouths and fixed their hair and cleaned each other up and cleared their throats and exchanged awkward glances and coughed in the silence and pulled and tugged at their clothes and stood there____in a straight, uniform line, sweating through their nude leotards and shrinking into their over-sized white button-down shirts. They stood there in their boxers, stock still and out of breath, and stared blindly forward at a darkened audience until the lights went out. And they all smiled_____and bowed_____and exited the stage.</p>
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		<title>Comment on Catharine Dill / Exploding Moment by YE&#8217;RE HERE, CUZIN! &#124; APRIL 15-17, 2011 &#124; bax.org</title>
		<link>http://bax.org/artist-services/artists-in-residence/catharine-dill/comment-page-1/#comment-4198</link>
		<dc:creator>YE&#8217;RE HERE, CUZIN! &#124; APRIL 15-17, 2011 &#124; bax.org</dc:creator>
		<pubDate>Mon, 04 Apr 2011 19:45:36 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?page_id=4483#comment-4198</guid>
		<description>[...] HERE for more information on Catharine Dill and Exploding [...]</description>
		<content:encoded><![CDATA[<p>[...] HERE for more information on Catharine Dill and Exploding [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Dan Fishback by THIS WEEKEND &#124; thirtynothing &#124; bax.org</title>
		<link>http://bax.org/artist-services/artists-in-residence/dan-fishback/comment-page-1/#comment-4197</link>
		<dc:creator>THIS WEEKEND &#124; thirtynothing &#124; bax.org</dc:creator>
		<pubDate>Mon, 04 Apr 2011 19:06:14 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?page_id=4491#comment-4197</guid>
		<description>[...] HERE for more information on Dan [...]</description>
		<content:encoded><![CDATA[<p>[...] HERE for more information on Dan [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Levi Gonzalez by Just Before &#124; Unpacking an old process &#171; choreoJournal</title>
		<link>http://bax.org/artist-services/artists-in-residence/levi-gonzalez/comment-page-1/#comment-4171</link>
		<dc:creator>Just Before &#124; Unpacking an old process &#171; choreoJournal</dc:creator>
		<pubDate>Sat, 02 Apr 2011 12:13:58 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?page_id=4499#comment-4171</guid>
		<description>[...] I was working with&#8211;Yari Alcaraz, Keren Ganin-Pinto, Jaclyn Thompson and Yen-Fang Yu, with Levi Gonzalez as our mentor. It was a part of my residency as an Outer/Space Artist with DTW in the spring of [...]</description>
		<content:encoded><![CDATA[<p>[...] I was working with&#8211;Yari Alcaraz, Keren Ganin-Pinto, Jaclyn Thompson and Yen-Fang Yu, with Levi Gonzalez as our mentor. It was a part of my residency as an Outer/Space Artist with DTW in the spring of [...]</p>
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		<title>Comment on 20th Birthday Celebration by TICKETS NOW AVAILABLE FOR BAX&#8217;S 20TH BIRTHDAY CELEBRATION &#124; bax.org</title>
		<link>http://bax.org/performances-events/special-events/20th-birthday-celebration/comment-page-1/#comment-4154</link>
		<dc:creator>TICKETS NOW AVAILABLE FOR BAX&#8217;S 20TH BIRTHDAY CELEBRATION &#124; bax.org</dc:creator>
		<pubDate>Thu, 31 Mar 2011 18:00:39 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/#comment-4154</guid>
		<description>[...] Join us for performances, awards, drinks, hors d’oeuvres and cupcakes sponsored by Community Markets, Cuvée Bistro &amp; Bar at The Greenporter Hotel, Brooklyn Brewery, Flour City Pasta and Sweetcheeks Brooklyn. [MORE] [...]</description>
		<content:encoded><![CDATA[<p>[...] Join us for performances, awards, drinks, hors d’oeuvres and cupcakes sponsored by Community Markets, Cuvée Bistro &amp; Bar at The Greenporter Hotel, Brooklyn Brewery, Flour City Pasta and Sweetcheeks Brooklyn. [MORE] [...]</p>
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		<title>Comment on spring session 2012 by SPRING IS HERE! &#124; bax.org</title>
		<link>http://bax.org/youth/classes/upcoming-session/comment-page-1/#comment-4134</link>
		<dc:creator>SPRING IS HERE! &#124; bax.org</dc:creator>
		<pubDate>Mon, 28 Mar 2011 19:00:20 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?page_id=3811#comment-4134</guid>
		<description>[...] HERE to view the Spring Class [...]</description>
		<content:encoded><![CDATA[<p>[...] HERE to view the Spring Class [...]</p>
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	<item>
		<title>Comment on spring session 2012 by SPRING IS ALMOST HERE! &#124; bax.org</title>
		<link>http://bax.org/youth/classes/upcoming-session/comment-page-1/#comment-4001</link>
		<dc:creator>SPRING IS ALMOST HERE! &#124; bax.org</dc:creator>
		<pubDate>Tue, 08 Mar 2011 18:12:18 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?page_id=3811#comment-4001</guid>
		<description>[...] HERE to view the Spring Class [...]</description>
		<content:encoded><![CDATA[<p>[...] HERE to view the Spring Class [...]</p>
]]></content:encoded>
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	<item>
		<title>Comment on Welcome to Your Stories by Marya</title>
		<link>http://bax.org/welcome-to-your-stories/comment-page-1/#comment-3663</link>
		<dc:creator>Marya</dc:creator>
		<pubDate>Thu, 03 Feb 2011 15:26:58 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?p=6004#comment-3663</guid>
		<description>Reading Jessie&#039;s story made me happy, sad, thoughtful. I miss Dani Nikas-- and it bears repeating what an incredible influence she was on so many students, artists, friends and colleagues. I remain amazed that she is no longer alive. Jessie&#039;s posting also made me thrilled that the work we share continues in so many places and ways and I love her story of the parent who&#039;s child she now teaches. Thank you so much!</description>
		<content:encoded><![CDATA[<p>Reading Jessie&#8217;s story made me happy, sad, thoughtful. I miss Dani Nikas&#8211; and it bears repeating what an incredible influence she was on so many students, artists, friends and colleagues. I remain amazed that she is no longer alive. Jessie&#8217;s posting also made me thrilled that the work we share continues in so many places and ways and I love her story of the parent who&#8217;s child she now teaches. Thank you so much!</p>
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		<title>Comment on Welcome to Your Stories by Jessie Levey</title>
		<link>http://bax.org/welcome-to-your-stories/comment-page-1/#comment-3659</link>
		<dc:creator>Jessie Levey</dc:creator>
		<pubDate>Wed, 02 Feb 2011 22:24:56 +0000</pubDate>
		<guid isPermaLink="false">http://bax.org/?p=6004#comment-3659</guid>
		<description>I grew up at BAX. I started teaching there right after college and stayed for 10 years. I worked there longer than anywhere else to this day. I watched Spoke the Hub grow into Gowanus Arts Exchange which then grew into BAX, from Douglass St to 5th Avenue. When I first began teaching, it was actually scary walking to work. Several years later, I bought a beautiful apartment just up the block. The center moved forward, the neighborhood changed and I grew up. I got married, had two children, went through other jobs- all the while teaching at BAX. Marya, many colleagues and my beautiful students actually threw a baby shower for me in the studio. (Izzy still has the beautiful quilt handmade by a BAX mommy).

BAX was where I truly became the teacher that I still am today. It is where I developed a fierce belief that training young dancers to be choreographers as well as dancers is vital. It is where I realized that dance for little ones is necessary and dance for teenagers is a life-line. 

Eight years ago, I left Brooklyn to achieve a life-long goal of mine to found a modern dance center in the country. Recently, a new parent said of my dance studio&#039;s schedule, &quot;Wow, this looks so much like the schedule from my daughter&#039;s old dance school.&quot; I asked her what studio it was and she answered, &quot;BAX.&quot; She gave me the greatest compliment. Classes in my studio continue the work I began back in 1989 on Douglass St.

One ending thought. Teaching YPPW for ten years was a gift. Working independently, with Dani Nikas and many wonderful guest choreographers was a teaching experience I hold dear. Dani and I both felt blessed to work in such a nurturing environment. We loved our students and felt incredibly lucky witnessing them grow as people, dancers and choreographers. It gives me immense joy to know that so many of those young dancers I taught so long ago (some for as many as ten years) are out there in the world dancing, making dances and teaching dance.</description>
		<content:encoded><![CDATA[<p>I grew up at BAX. I started teaching there right after college and stayed for 10 years. I worked there longer than anywhere else to this day. I watched Spoke the Hub grow into Gowanus Arts Exchange which then grew into BAX, from Douglass St to 5th Avenue. When I first began teaching, it was actually scary walking to work. Several years later, I bought a beautiful apartment just up the block. The center moved forward, the neighborhood changed and I grew up. I got married, had two children, went through other jobs- all the while teaching at BAX. Marya, many colleagues and my beautiful students actually threw a baby shower for me in the studio. (Izzy still has the beautiful quilt handmade by a BAX mommy).</p>
<p>BAX was where I truly became the teacher that I still am today. It is where I developed a fierce belief that training young dancers to be choreographers as well as dancers is vital. It is where I realized that dance for little ones is necessary and dance for teenagers is a life-line. </p>
<p>Eight years ago, I left Brooklyn to achieve a life-long goal of mine to found a modern dance center in the country. Recently, a new parent said of my dance studio&#8217;s schedule, &#8220;Wow, this looks so much like the schedule from my daughter&#8217;s old dance school.&#8221; I asked her what studio it was and she answered, &#8220;BAX.&#8221; She gave me the greatest compliment. Classes in my studio continue the work I began back in 1989 on Douglass St.</p>
<p>One ending thought. Teaching YPPW for ten years was a gift. Working independently, with Dani Nikas and many wonderful guest choreographers was a teaching experience I hold dear. Dani and I both felt blessed to work in such a nurturing environment. We loved our students and felt incredibly lucky witnessing them grow as people, dancers and choreographers. It gives me immense joy to know that so many of those young dancers I taught so long ago (some for as many as ten years) are out there in the world dancing, making dances and teaching dance.</p>
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